外星恶客
影片信息
- 状态：已完结
- 主演：Marshall,Thompson,Shirley,Patterson,Kim,Spalding
- 导演：Edward,L.,Cahn
- 年份：1958
- 地区：美国
- 类型：恐怖/
- 时长：内详
- 上映：未知
- 语言：英语
- 更新：2025-02-02 01:14
- 简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
- 665
关注公众号观影不迷路
扫一扫用手机访问
4.0
网友评分
851次评分扫一扫用手机访问
剧情简介
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
为你推荐
换一换- 已完结3.0柴崎幸/市川海老藏/伊藤英明/中西美帆/麻衣子/片山瞳/根岸季衣/胜野洋/古谷一行/
- 正片8.0Sanae/Loutsis/Jason/Brooks/马丁·科勒巴/Lydia/Pearl/Pentz/
- 已完结2.0林柏宏/太保/朱芷莹/林彦君/洪宜卉/古斌/徐立期/雍幸熹/
- 已完结9.0莉莉·泰勒/凯瑟琳·泽塔-琼斯/连姆·尼森/欧文·威尔逊/
- 正片2.0Vedhika/Arvind/Krishna/Pavitra/Lokesh/
- 正片5.0亚历克斯·马修斯/杰西卡·弗格森/贝拉·查德威克/
- HD5.0GO/I-gyoung/李泰利/吴荷妮/李起昶//
- 已完结7.0克里斯滕·里特/温斯洛·费格雷/莉娅·朱厄特/奥德丽·瓦西莱夫斯基/斯蒂芬·R·哈特/杰森·帕特里克/科里·费尔德曼/黛安·韦斯特/爱德华·赫曼/杰米·格尔兹/Jill/Frappier/科里·海姆/Jess/Brown/Mathieu/Bourassa/Cleo/Cleo//Trixie/Trixie/Luxton/Handspiker/Liam/Couvion/Khiyla/Aynne/Riley/O'Donnell/Evan/O'Donnell/Taylor/Belle/
- 抢先版9.0提图斯·维里沃/乔赛琳·唐娜休/奥罗拉·佩里诺/
- 正片10.0魏云/
- 正片7.0金博/
- 正片1.0杨正敏/车甫成/池妍珠/
- HD3.0姜贞羽/邹元清/刘敬宇/巩小榕/纪亚福/庄梓泓/陈欣雅/张会冬/顾国民/
- 正片9.0谭小环/林伟健/李思/
- 正片6.0Sara/Chafak/Scharliina/Eräpuro/Konsta/Hietanen/Katariina/Juselius/Helka/Karhu/Johanna/Korhonen/Hannele/Lauri/Toni/Lipsanen/JP/Pirinen/Tarmo/Ranta/Jari/Sorsa/Karoliina/Tuominen/劳里·温塔莫/Janica/Varkka/Vivi/Wahlström/
- 正片7.0乔治·温迪特/蒂凡妮·谢皮斯/丹尼尔·洛巴克/
- 正片7.0杉田雷麟/平井亚门/森田想/藤井隆/
- 正片8.0奥古斯汀·帕德拉/卡洛斯·波尔塔卢比yley/Ignacio/Francavilla/Bruno/Giacobbe/Hernan/Caceres/Nicolás/Pérez/加斯顿·弗里斯/
- HD2.0纳查潘·帕拉玛查伦罗/Aew/Aumpa/Phusit/波似·坡尼皮帕特·库尼嗦/坦恩.基缇男.坎蒙功空理法密昕/马克·纳克塔赫·坎那特桑安/Boom/Raweephan/Siriwattana/
- 已完结5.0艾丽卡·李尔森/亨利·罗林斯/特夏斯·巴特尔/阿莱卡萨·帕拉迪诺/丹妮拉·阿隆索/史蒂夫·博朗/马修·库里·霍尔姆斯/克瑞斯塔尔·洛维/Kimberly/Caldwell/韦恩·罗布森/肯·科齐格/克林特·卡尔顿/帕顿·奥斯瓦尔特/乔·林奇/
- 已完结3.0詹妮弗·皮达维克/泰妮卡/戴维斯/迪恩·阿姆斯特朗/阿里·塔塔林/小维克多·津克/凯特琳·勒柏/凯特琳·勒柏/Kaitlyn/Leeb/
- 正片1.0兰迪·库卓/Kathleen/Kenny/里德·米勒/
- 正片7.0艾丽西亚·桑兹/劳尔·卡斯提洛/戈雷·阿布拉姆斯/卢克·拜恩斯/David/Alexander/Flinn/Justin/Marcel/Mcmanus/Dagnes/Kerr/Cole/Gleason/
- 正片8.0朴智妍/宋智恩/金睿意/李至勋/
- 正片10.0布蕾克·莱弗利/奥斯卡·贾恩那达/布莱特·卡伦/塞多纳·利/
- HD6.0Mickey/Hargitay/Walter/Brandi/Luisa/Baratto/
- 正片1.0卡里姆·莱克路/维玛拉·庞斯/
- 正片2.0奥利维亚·马克林/迪伦·麦蒂/Avangeline/Friedlander/
- 正片4.0布莱恩·奥斯汀·格林/格伦·普拉默/罗伯特·米亚诺/马西·弗伦/
- HD2.0达卡赖·阿基尔/拉里萨·达利/D'Andre/Duncan/